Japan, 1984, avant-prog / art pop
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After Dinner – Glass Tube: Experimental, child-like (not childish) play on percussion, using, it seems, whatever she can find to bang on or rattle or shake. Haco is the leader of this weird musical parade, and she’s inviting you along, so if you’re up to it, grab an instrument—or something that’s not, as long as you’ll use it as one—follow, and play.
For some reason, this album always leaves me cold.
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