Japan, 1982, symphonic prog

KensoKenso II: This album comes at the end of prog’s heyday, but it’s still a worthy addition to the genre. You can tell which decade this one fits into, though, because of the moments of strong 80s synths. 空に光る is generally considered to be the strongest track, but I think I prefer 麻酔パート1 and 麻酔パート2 together.

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